1,551 Royalty-Free Audio Tracks for "B Chords"

Dominant thirteenth chord in four-part writing.

Viennese fourth chord.

Just minor seventh chord (48:40:32:27) on C.

Just minor seventh chord on C.

Major triad on C. Created using Sibelius.

Neapolitan sixth in C minor.

Thirteenth chord CMA13(sharp11).

Tritone substitution. F♯7 may substitute for C7, and vice versa, because they both share E♮ and B♭/A♯ and due to voice leading considerations.

Generating chord for Michael Torke's Vanada (1984).

Diagonal barre chord: major seventh chord on G. The first finger fingers both the second fret on the first four strings and the third fret on the sixth string.

C major chord repeated at fff, ff, f, mf, mp, p, pp, and ppp dynamic markings.

Dominant seventh in C in first inversion

Farben chord.

Sveriges Radios folkmusikinspelningar. Norsk-svensk spelmansstämma. Dokumentatör: Matts Arnberg (Q5559459), Rolf Myklebust (Q11998273) Radiotjänsts ursprungliga produktionsnummer: MT 60/198:4:1

Sveriges Radios folkmusikinspelningar. Norsk-svensk spelmansstämma. Dokumentatör: Matts Arnberg (Q5559459), Rolf Myklebust (Q11998273) Radiotjänsts ursprungliga produktionsnummer: MT 60/198:9:1

Sveriges Radios folkmusikinspelningar. Norsk-svensk spelmansstämma. Dokumentatör: Matts Arnberg (Q5559459), Rolf Myklebust (Q11998273) Radiotjänsts ursprungliga produktionsnummer: MT 60/198:9:2

Sveriges Radios folkmusikinspelningar. Norsk-svensk spelmansstämma. Dokumentatör: Matts Arnberg (Q5559459), Rolf Myklebust (Q11998273) Radiotjänsts ursprungliga produktionsnummer: MT 60/198:9:4

Sveriges Radios folkmusikinspelningar. Norsk-svensk spelmansstämma. Dokumentatör: Matts Arnberg (Q5559459), Rolf Myklebust (Q11998273) Radiotjänsts ursprungliga produktionsnummer: MT 60/198:3:4

Sveriges Radios folkmusikinspelningar. Norsk-svensk spelmansstämma. Dokumentatör: Matts Arnberg (Q5559459), Rolf Myklebust (Q11998273) Radiotjänsts ursprungliga produktionsnummer: MT 60/198:9:3

Sveriges Radios folkmusikinspelningar. Norsk-svensk spelmansstämma. Dokumentatör: Matts Arnberg (Q5559459), Rolf Myklebust (Q11998273) Radiotjänsts ursprungliga produktionsnummer: MT 60/198:6:1

Sveriges Radios folkmusikinspelningar. Norsk-svensk spelmansstämma. Dokumentatör: Matts Arnberg (Q5559459), Rolf Myklebust (Q11998273) Radiotjänsts ursprungliga produktionsnummer: MT 60/198:5:5

Sveriges Radios folkmusikinspelningar. Norsk-svensk spelmansstämma. Dokumentatör: Matts Arnberg (Q5559459), Rolf Myklebust (Q11998273) Radiotjänsts ursprungliga produktionsnummer: MT 60/198:9:5

Augmented triad on C, As MIDI

Quarter-comma meantone major chord on C.

Beta scale dominant seventh chord on C. Created by Hyacinth (talk) 07:35, 12 April 2011 (UTC) using Sibelius 5 with midi pitch bend. Pitch bend appears to match intervals.

Sonata in B-flat major, Deutsch Catalogue 960, 2nd movement.

A Hard Day's Night opening chord: F9. Created by Hyacinth (talk) 03:11, 14 September 2012 (UTC) using Sibelius 5.

The chord of E major played on an acoustic guitar. El acorde de E major toca en una guitarra acoustica.

Voice leading for dominant eleventh chords in the common practice period. Created by Hyacinth (talk) 23:16, 6 July 2009 using Sibelius 5.

Bach's "Crucifixus", B Minor Mass ground bass.

bdim7=do7=fo7=a♭o7 and it's enharmonic equivalents resolving (g♯7 to A).

C triad open position.

bdim7=do7=fo7=a♭o7 and it's enharmonic equivalents resolving (d7 to E-flat).

Suggestion of bitonality in Beethoven's Sonata in E♭ for Piano, Op. 8la.

En I-ii7-V7-I-progression, sedan med V7 tritonussubstituerad

VII-I cadence in C major. Created by Hyacinth (talk) 14:28, 10 March 2011 (UTC) using Sibelius 5. GFDL-self

bdim7=do7=fo7=a♭/g♯o7 and it's enharmonic equivalents resolving (b7 to C).

bdim7=do7=fo7=a♭o7 and it's enharmonic equivalents resolving. (fo7 to G-flat)

Dominant form chord: Diminished leading-tone chord preceding tonic chord and possessing a secondary dominant function.

Eb major triad, MIDI file

Diminished seventh chord to dominant cadence (bo-e7-A7-D).

Dominant form chord: Diminished seventh leading-tone chord preceding tonic chord and possessing a secondary dominant function.

Dominant form chord: Half-diminished leading-tone chord preceding tonic chord and possessing a secondary dominant function.

Dominant 9th chord from "Hommage a Rameau" by Claude Debussy.

The opening eleven note chord from Aaron Copland's Inscape, without orchestration shown.

Sveriges Radios folkmusikinspelningar. Norsk-svensk spelmansstämma. Dokumentatör: Matts Arnberg (Q5559459), Rolf Myklebust (Q11998273) Radiotjänsts ursprungliga produktionsnummer: MT 60/198

B natural minor scale ascending and descending.

B melodic minor scale ascending and descending.

B harmonic minor scale ascending and descending.

5 7 9 chord on E, eight steps in the octave. Other non-octave tunings investigated by Bohlen besides the Bohlen-Pierce scale include eight steps in the octave, based on 5:7:9 and of which only the just version would be used. Traditional notation: E B♭ D.